Gabrielle Ray

'Gabrielle Ray said, 'I am always dancing; I love it! When I don't dance, I sing. What else is there to do?'

Amy Webster – £150 – The Stage – Thursday 26th April 1917

“£150” and “Cheep!”

 

The new revue, entitled “£150,” is now announced for production at the Ambassadors’ on Monday, at 7.45. The author is Walter Hackett, the lyrics are by Douglas Furber, and the music is a trio of composers – Silesu, Emmett Adams, and Fred Sparrow. The principle, Mile. Madeleine Choiseulle, and M. Leon Morton, will be supported by Messrs. Alec S. Clunes, Rube Welch, J. M. Campbell, Murri Moncrieff, and Douglas Furber, and Misses Sheila Hayes, Vera Neville, Binnie Hale, and Daisy Burrell.

 

The Stage – Thursday 26th April 1917

 

November 19, 2020 Posted by | Actress, Amy Webster, Gabrielle Ray, Social History, The Stage, Uncategorized | , , , , , , , , , , , , , , | Leave a comment

Aimee Webster – Hello! Morton – The Stage – Thursday 7th June 1917

 

THE LONDON COLISEUM.

 

“HELLO!  MORTON.”

 

On Monday, June 4, 1917, was produced here a revuette, compiled by Douglas Furber, entitled, “Hello! Morton.”

The many admirers of Leon Morton, the droll revue comedian from the Ambassadors, were disappointed at the London Coliseum on Monday afternoon. The piece in which he appears has been compiled by Douglas Furber from certain Harry Grattan-Walker Hackett episodes from the long string of revue successes at Charles B. Cochran’s cosy little theatre, but most of the business, it must be confessed, runs to something like seed in the auditorium of the St. Martin’s Lane house. Nor have the excerpts themselves been wisely chosen; it would be easy to name several other items from the Charles Cochran revues better suited to the general variety purposes of the French comedian. No doubt better selections will be made in due course, and, in view of other surroundings, a proper disregard exercised in regard to the theatre intime atmosphere in which most of them have been conceived. The present business shows Morton being used as a war map, a device which has already lost its novelty; as the would-be reciter, with interruptions of a dramatic poem; and as the Highland soldier in the wordless episode called “A Highland Soldier’s Dream.” In each item he has the assistance of Douglas Furber, James M. Campbell, Sylvia Dancourt, and a company of ladies including Peggy Connor, Dolly Cullin, Joan Emney, Mona Fraser, Ann Furrell, Aimee Webster, Kathleen Maude, Irene Russell, Siddons Saharet, Ena Strange, Maisie Walsh, and Evelyn Wells.

George Graves’s sketch, “What a Lady!” has wisely benefited by criticism, the result being a succession of laughs. Myra Kenham now plays the part originated by Winifred Wing. Mabel Mann’s resonant contralto is well suited to the house; and warm hearted applause greets the musical interlude by Julien Henry and company, although its dialogue, which is weak, should be discarded. Bruett, the French poilu, sings in French and English, is a great favourite for a most acceptable act, his Entente cordiale business with a British Tommy being not the least attractive feature of a thoroughly attractive and topical turn. Other items on the programme are by the Five Jovers, in an acrobatic act; Jack Pleasants, the shy comedian; Grock, the inimitable French clown; Coram, an established favourite;  and Dainty Doris, a charming comedienne and graceful dancer, who should figure more frequently in the West End bills.

 

The Stage – Thursday 7th June 1917

September 15, 2020 Posted by | Actress, Amy Webster, Gabrielle Ray, Social History, The Stage, Uncategorized | , , , , , , , , , , , , , | Leave a comment

Salon of Fragrance and Fair Women – The Stage – Thursday 30th March 1911

CHIT CHAT

Miss Gertrude Robins, Miss Pauline Chase, Miss Nell Carter, Miss Phyllis Beddells, Miss Laura Cowie, Miss Phyllis Dare, Miss Iris Hoey, Miss Dolly Castles, Miss Marie Lohr, Miss Maud Allan, Miss Lilian Braithwaite, Miss Constance Drever, Miss Cicely Courtneidge. Miss Gabrielle Ray, Miss Madge Titheradge, Miss Julia James, Miss Ola Humphrey, Miss Lily Shepheard, and Miss Audrey Ford were among the actresses who, in the “Salon of Fragrance and Fair Women” at Harrods, sold scent on Monday, Tuesday, and Wednesday in aid of the Prince Francis of Teck Memorial Fund.

 

The Stage – Thursday 30th March 1911

April 7, 2019 Posted by | Actress, Biography, Gabrielle Ray, Social History, The Stage, Uncategorized | , , , , , , , , , | Leave a comment

Gabrielle Ray – The Stage – Thursday 29th April 1920

MANCHESTER.

 

Palace (M.D., Alan Young; S. and A.M., Jesse Hewitt; A. A.M., W. Maclaren). The winning charm and dainty artistry of Gabrielle Ray are pleasingly featured here. She has a clever partner in Leslie Barker. Billy Merson requires no comment; he is just himself, and patrons enjoy the fun thoroughly. Vasco, the mad musician is popular, and St. Juste and Higgins provide harmony and humour. Among others are the Three Daring Reos and Graham and Cullen

 

The Stage – Thursday 29th April 1920

February 3, 2019 Posted by | Actress, Gabrielle Ray, Social History, The Stage, Uncategorized | , , , , , , , , , | Leave a comment

John East – The Stage – Thursday 30th August 1956

IN MANAGEMENT 60 YEARS AGO

By John East

 

WHEN my grandfather, John M. East, took over the Lyric, Hammersmith, as actor-manager, in 1892, it was facing bankruptcy. Within three years of his administration this pretty little bijou theatre, sandwiched between a railway siding and a street market, was being partially rebuilt at a cost of £15,000.

John East installed a resident stock company led by artists such as Leah Marlborough, Charles East and his wife, East Robertson, great favourites with local audiences. With a change of programme weekly and daily rehearsals, it was a wonderful school for youngsters, many of whom went straight to the West End after starting at the Lyric. Among the many future stars 1 could mention was 19-year-old Gabrielle Ray, whom my grandfather trained to take the title role in his “Red Riding Hood.” She soon became one of the brightest stars to reign at the Gaiety and Daly’s.

Of course, established names like Edward Terry, Harry Monkhouse, Mrs. Langtry, Henry Neville, Charles Warner, Harry Nichols and Willie Edouin played special weeks at the Lyric, and a cosmopolitan audience from distant parts of the metropolis swelled the ranks of the local patrons, who loved to see the carefully staged melodramas.

John East acted in 64 and produced over 400 plays during his 13 years at the theatre, from a battle scene in “A Life of Pleasure” to “Secrets of the Harem,” shortened to “Secrets –“ –THE BANNED PLAY, after a protest from the Turkish Ambassador to the Lord Chamberlain when he had witnessed the piece.

Once he decided to produce “Streets of London,” and in order to get a real horse-driven fire engine on to the stage, he removed the centre stalls, and a large rake was erected from the roadway to the auditorium, over which the engine made a triumphant entry. There would have been a practical use for it on Whit Monday, 1896, when a fire broke out on the stage during the action of “For England.”

Every Christmas my grandfather would produce, and usually write with Brian Daly, a pantomime, in addition to playing such parts as the Queen in “Robinson Crusoe.” Some of the large profits made went into organising charity matinees, “The Diseases of Women” lectures, and a free soup kitchen outside the theatre.

Years before, a manager would have a stock writer at his command, but by the turn of the century the public would not go in unless first class London successes were played, which meant an expensive mounting and a royalty of 10 per cent. Moreover, boiled down melodramas were being presented on the halls, which in addition to new competition from the Grand, Fulham, and the King’s, Hammersmith, caused my grandfather to leave the Lyric in March, 1904. The little theatre had a varied history until Playfair re-opened it in 1918.

After producing “The Wheat King” at the Apollo, with a magnificent third act depicting mass hysteria, John East look over the management of the vast Britannia, Hoxton, where he offered a three act drama, a variety bill, one of his own curtain-raisers, and the bio scope for 3d. in the gallery! The curious audience at the “Brit” consisted mostly of burglars, who used to come and tell my grandfather when they were gong to “do a bit” the following night.

Once a man sidled up to him and said, “What’s ‘appened to ole J. B. Howe, what played ‘ere with Charlie East in 98?  Is ‘e in the lump (workhouse)?” John replied that he had retired. “Oh. I’ve been away and missed the old codger.” Been away” – “Yus, for sticking a knive in a cove in Clerkenwell!” During the week John slept on the premises with the takings, and no wonder he had a loaded pistol by his bedside.

After a time at the Elephant and Castle Theatre, John East ran touring companies in between annual pantomime engagements, which included one at the Crown with another clever 19-year-old girl, Violet Loraine. Leah Marlborough was touring three continents alter “The Sorrows of Satan,” at the Court, East Robertson toured in such pieces as “Girl’s Cross Roads,” as Barbara Wade, and received wide acclaim as the prostitute, La Colombe, who fights to her death with knives in “Woman and Wine,” at the Princess’s, Oxford street, in 1899.

However, John East decided to become a free-lance, and devised, produced and managed the fabulous “Invasion of England” at the Crystal Palace, in 1909. With a cast of hundreds, real airships, descent of an invading army by parachute, entire destruction of a village by fire, explosions of mines and cannons, it was a triumphant success and he toured it on the Continent during 1910, for Brocks, Ltd.

 

The Stage – Thursday 30th August 1956

 

February 28, 2018 Posted by | Actress, Biography, Gabrielle Ray, Little Red Riding Hood, Social History, The Stage, Uncategorized | , , , , , , , , , , | Leave a comment

Gladys Ray – The Stage – Thursday 31st January 1907

Benefits are the order of the night at the Crystal Palace this week. On Monday Mr. A. E. Passmore , the Widow Twankey, had a benefit; Tuesday was devoted to Miss Lily Gullick, Wednesday to Miss Lillie Lassah, while this afternoon (Thursday) Miss Nellie and Miss Gladys Ray will share, Mr. Arthur Poole being the beneficiary in the evening. The Onda Brothers claim the Friday evening.

The Stage – Thursday 31st January 1907

Gladys Ray – Aladdin – The Era – Saturday 29th December 1906

October 14, 2017 Posted by | Actress, Gabrielle Ray, Gladys Ray, Gladys Raymond, Social History, The Stage, Uncategorized | , , , , , , , , | Leave a comment

Bessie Ray – The Belle of New York – The Stage – Thursday 18th April 1901

WORCESTER: Royal (Sole Lessee and Manager, Mr. William Gomersal). The Belle of New York has visited “the faithful city” before, and, judging from the reception accorded the performance of the comic opera on Monday, it will be welcome again and again, especially if presented by so capable a Co. as that of Mr. Ben Greet, under the direction of Mr. Maurice Robinson. To the part of Ichabod Bronson Mr. Arthur Ricketts brings some excellent comedy. The title role is charmingly played by Miss Beatrice Lamotte, Miss Ada Elliston is an attractive Fifi Fricot, and Miss Victoria Hunt gives a good account of Cora Angelique. Mr. Edmund Sherras is admirable as Harry Bronson. Miss Bessie Ray and Mr. Bert Monks capably sustain the parts of Blinky Bill and Mamie Clancy. The opera is well staged and dressed, and runs with remarkable smoothness.

 

The Stage – Thursday 18th April 1901

August 4, 2017 Posted by | Actress, Bessie Ray, Gabrielle Ray, Social History, The Belle of New York, The Stage, Uncategorized | , , , , , , , , , , | 1 Comment

Bessie Ray – The Belle of New York – The Stage – 24th January 1901

Dundee: Another specially clever impersonation is that of Miss Bessie Ray, who appears as Mamie Clancy, the Pell Street girl.

She dances divinely, and is conspicuous for the energy and tact she displays all the time she is on stage.

The Stage, 24th January 1901

Bessie Ray – The Belle of New York – The Era – Saturday 26th January 1901

May 10, 2017 Posted by | Actress, Bessie Ray, Gabrielle Ray, Social History, The Belle of New York, The Stage, Uncategorized | , , , , , , , , , , | Leave a comment

Babes in the Wood – The Stage – Thursday 23rd October 1919

Gabrielle Ray

Gabrielle Ray, the well-known musical comedy actress, has been engaged to play principle girl in pantomime at Bradford. Arthur Klein is composing special songs for her.

The Stage – Thursday 23rd October 1919

March 9, 2017 Posted by | Actress, Babes in the Wood, Gabrielle Ray, Pantomimes, Social History, The Stage, Uncategorized | , , , , , , , , , | Leave a comment

Babes in the Wood – The Stage – Thursday 30th October 1919

Miss Gabrielle Ray

Miss Gabrielle Ray has decided to return to the stage, and will do so as principle girl in pantomime under Mr. Francis Laidler’s management at the Prince’s, Bradford. The internal alterations which are in progress at the Prince’s, Bradford, will be completed before the pantomime season. The subject is “The Babes in the Wood,” and Miss Gabrielle Ray’s part is that of Maid Marion.

The Stage – Thursday 30th October 1919

March 9, 2017 Posted by | Actress, Babes in the Wood, Gabrielle Ray, Pantomimes, Social History, The Stage, Uncategorized | , , , , , , , , , , | Leave a comment