Eric Loder – The Sketch – Wednesday 15th August 1928
At the Lawn Tennis Courts: Mrs. Eric Loder.
Mrs. Eric Loder is a daughter of the Hon. Eustace Fitzgerald, and is the wife of Major Eric Loder.
The Sketch – Wednesday 15th August 1928
The Sketch – 6th March 1912 (Marriage)
Married to Miss Gabrielle Ray on Friday last: Mr. Eric Loder.
Miss Gabrielle Ray and Mr. Eric Loder were to have been married on Thursday last, but at the eleventh hour the wedding was postponed, owing to the indisposition of the bride. It took place next day, at Windsor.
The Sketch – 6th March 1912
The Sketch – 17th January 1912
Engaged: Miss Gabrielle Ray and Mr. Eric Loder.
Miss Gabrielle Ray needs no introduction to readers of the “Sketch”: she is one of the most photographed beauties of the musical-comedy stage. Her fiancé is the son of the late Mr. Alfred Loder, and nephew of Major Eustace Loder.
The Sketch – 17th January 1912
The Sketch – 6th March 1912 (Wedding)
The Ray hidden by a “sunshade”: A wedding “portrait.”
Though lost to sight – : Miss Gabrielle Ray entering St. Edward’s Roman Catholic Church,
Windsor, for her marriage to Mr. Eric Loder.
Miss Gabrielle Ray, the very popular musical-comedy actress and the best known of postcard beauties, was to have been married to Mr. Eric Loder at St. Edward’s Roman Catholic Church, Windsor, on Thursday of last week, but was indisposed. The wedding took place on the following day, very quietly. The bride, determined to escape notice, entered the church by way of Canon Longinotto’s kitchen garden and the back door, and was hidden behind an umbrella. The return to the Canon’s residence after the ceremony was made in the same way. The Register was signed as follows: “Eric Raymond Loder, 23, bachelor, of independent means, 44, Alma Road, Windsor; Gabrielle Elizabeth Clifford Cook, 28, spinster, of independent means, 48, Coleherne Court, Kensington, London, W.; father’s name, William Austin Cook, of independent means.”
The Sketch – 6th March 1912
About
One of my main interests is a love of old pictures and postcards that give us a brief glimpse into a past and often forgotten age.
Collecting old postcard and pictures enables the viewer to glimpse a brief moment from that individual’s life; often far removed from their own either by the passage of time or social class. Social History, often described as “history from below” shows everyday people, their social structure and the interaction of different groups; like the wealthy and politicians these people helped shape and maintain society and so shape history.
Examining the images one can’t help but wonder how the individuals lived, were their lives hard compared with today and were they happy. Often the images come with little or no information that can answer these questions, one can only imagine.
With each image saved and seen by others, so that moment, that person is kept alive, our understanding is increased and so our lives are enriched.
A picture is often more descriptive than words can ever be, but how true is this, if a picture enables us to gain entry to another time, another world, will, like the view from a different window, even in the same house provide a different image?
These images allow a glimpse into another time, another era; but what preceded or followed this image? As the individuals were positioned and posed like an artist’s model is what we see truly reflective or like the slightly softened image of an aging beauty a less that truthful representation?
I am reminded of a documentary I watched several years ago regarding the returning troops from the front during the First World War. The camera images show a broken, demoralised sea of humanity, young men who having seen images that most of us hope never to witness had lost that sparkle; that zest which only youth has. But bring on the news camera and that battered returning group came to life, the smiles returned and even though muddied and bloodied their heads and bodies became erect, their arms swung in time and they demonstrated a swagger that spoke of courage, defiance and determination; an image that gave hope to the viewer.
It seems to me that even in the early days of photography all was not what it appeared and now in the advancing digital age a picture may paint a thousand words but will it be factual or fiction?
My interests And collections vary from Maids, Nuns, religious dress and the more risqué images of the French Maid. Often when searching for a particular subject the boundaries cross and as well as true Maids we find Edwardian actresses dressed as Nuns or Maids. During one of my searches I came across Gabrielle Ray dressed as a Maid, “Susan” in Lady Madcap and was instantly captivated by her.
Collecting the individual cards isn’t enough; I like to know more about the individual, which is easier when that person is an actress, although often the information is scarce
Searching for information about Miss Ray I discovered that she was one of the most photographed women of the Edwardian era and described in “Temps” as the most beautiful woman in the United Kingdom; but sadly her success, if measured by being visibly working or in the public eye was short-lived. She struggled with depression and alcohol abuse, and her health declined. In 1936, she suffered a complete mental breakdown and was institutionalized for nearly forty years; dying in 1973 at Holloway Sanatorium at the age of 90.
There are several other sites and blogs dedicated to the memory of Miss Ray and my intention is to share my small but growing collection of pictures and postcards with anyone who shares my interest. Reading about Miss Ray I was saddened that this lady, like many others before and since, after a brief moment in the sun they are soon forgotten. Hopefully as people view and enjoy this blog her memory will remain alive for a little longer.
I have started to write a short Biography about Miss Ray which I will try to update as frequently as possible. The Index page will show any updates under the Biography catagory.
I have also tried to link the various postcards and pictures to the plays in which Miss Ray appeared, however I realise, after several errors that this isn’t an easy task as many are decorative studio poses rather than production images. The individual Rotary, Philco and other publishers numbers are included with any description which should make searching for a particular card or ones from the same set easier. If I have made any glaring errors please feel free to let me know.
Thank you and I hope you enjoy my collection as much as I do.
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