Gabrielle Ray – Peggy – The Tatler – Wednesday 15th March 1911
THE LETTERS OF A WORLDLY WOMAN
All the frocks in Peggy at the Gaiety are too utterly ravishingly delightful for anything, and the play is all one wants and looks for! A detachment of the S.P.C.A. would, I should think, have a field day there were it a punishable offence to wear more than £50 worth of aigrettes at one time, for the becoming ornament flourishes positively in bushes. Edna May’s “Ornamental Purity Brigade” also might get a look-in, for there is not, needless to say, a petticoat on the stage from start to finish, though there are some quite fascinating things in trouser skirts.
The new leading lady, charming Miss Phyllis Dare who has acquired I see yet another new motor of the latest torpedo shape – remains true, of course, to the “little girl” simplicity type, as also Olive May and Gabrielle Ray, both ravishing in muslin and embroidery and lace like very expensive babies, and looks perhaps her very best in a dainty frocklet in which sky blue, pale pink satin, and rosebuds play a prominent part under a white straw bonnet with pendant ribbons.
The Tatler – Wednesday 15th March 1911
Eric Loder – Ella Maxwell – The Tatler – Wednesday 1st September 1937
THE RIVIERA BY NIGHT
Miss Elsa Maxwell and Major Loder getting on well together.
Miss Elsa Maxwell has been down south for several weeks, and takes every available party in her stride.
Miss Maxwell seen here with Major Eric Loder at the Cannes Palm Beach Casino.
The Tatler – Wednesday 1st September 1937
Constance Drever – The Merry Widow – The Tatler – Wednesday 22nd September 1909
MISS CONSTANCE DREVER AND M. DE FREYN
Dancing the celebrated waltz from “La Veuve Joyeuse” at the Apollo Theatre. So successful has the French “Merry Widow” become that it will be played right through the autumn and winter season. Miss Drever has become a great favourite with Parisian audiences.
The Tatler – Wednesday 22nd September 1909
The stepping stone to beauty – The Tatler – Wednesday 8th February 1922
A similar advertisement used in Stepping stones to beauty – The Tatler – 1916
Eric Loder – The Tatler – Wednesday 8th November 1939
Mrs. W. R. Hearst with Major Eric Loder at the Iridium Room, Manhattan Island
Eric Loder – The Tatler – Wednesday 22nd April 1925
SOCIETY IN THE SUN AT LE TOUQUET
Mrs Montefiore and Mr. Eric Loder
Lady Meyer, Mrs. Eric Loder, Mrs. L. Cohen, and Georges Carpentier
Mrs. Eric Loder is a daughter of the Hoon. Eustace Fitzgerald, and her husband is a kinsman of Sir Giles Loder,
Lady Meyer is the wife of Sir. Frank Meyer, Bart., and was formally Miss Marjorie Seeley
The Tatler – Wednesday 22nd April 1925
About
One of my main interests is a love of old pictures and postcards that give us a brief glimpse into a past and often forgotten age.
Collecting old postcard and pictures enables the viewer to glimpse a brief moment from that individual’s life; often far removed from their own either by the passage of time or social class. Social History, often described as “history from below” shows everyday people, their social structure and the interaction of different groups; like the wealthy and politicians these people helped shape and maintain society and so shape history.
Examining the images one can’t help but wonder how the individuals lived, were their lives hard compared with today and were they happy. Often the images come with little or no information that can answer these questions, one can only imagine.
With each image saved and seen by others, so that moment, that person is kept alive, our understanding is increased and so our lives are enriched.
A picture is often more descriptive than words can ever be, but how true is this, if a picture enables us to gain entry to another time, another world, will, like the view from a different window, even in the same house provide a different image?
These images allow a glimpse into another time, another era; but what preceded or followed this image? As the individuals were positioned and posed like an artist’s model is what we see truly reflective or like the slightly softened image of an aging beauty a less that truthful representation?
I am reminded of a documentary I watched several years ago regarding the returning troops from the front during the First World War. The camera images show a broken, demoralised sea of humanity, young men who having seen images that most of us hope never to witness had lost that sparkle; that zest which only youth has. But bring on the news camera and that battered returning group came to life, the smiles returned and even though muddied and bloodied their heads and bodies became erect, their arms swung in time and they demonstrated a swagger that spoke of courage, defiance and determination; an image that gave hope to the viewer.
It seems to me that even in the early days of photography all was not what it appeared and now in the advancing digital age a picture may paint a thousand words but will it be factual or fiction?
My interests And collections vary from Maids, Nuns, religious dress and the more risqué images of the French Maid. Often when searching for a particular subject the boundaries cross and as well as true Maids we find Edwardian actresses dressed as Nuns or Maids. During one of my searches I came across Gabrielle Ray dressed as a Maid, “Susan” in Lady Madcap and was instantly captivated by her.
Collecting the individual cards isn’t enough; I like to know more about the individual, which is easier when that person is an actress, although often the information is scarce
Searching for information about Miss Ray I discovered that she was one of the most photographed women of the Edwardian era and described in “Temps” as the most beautiful woman in the United Kingdom; but sadly her success, if measured by being visibly working or in the public eye was short-lived. She struggled with depression and alcohol abuse, and her health declined. In 1936, she suffered a complete mental breakdown and was institutionalized for nearly forty years; dying in 1973 at Holloway Sanatorium at the age of 90.
There are several other sites and blogs dedicated to the memory of Miss Ray and my intention is to share my small but growing collection of pictures and postcards with anyone who shares my interest. Reading about Miss Ray I was saddened that this lady, like many others before and since, after a brief moment in the sun they are soon forgotten. Hopefully as people view and enjoy this blog her memory will remain alive for a little longer.
I have started to write a short Biography about Miss Ray which I will try to update as frequently as possible. The Index page will show any updates under the Biography catagory.
I have also tried to link the various postcards and pictures to the plays in which Miss Ray appeared, however I realise, after several errors that this isn’t an easy task as many are decorative studio poses rather than production images. The individual Rotary, Philco and other publishers numbers are included with any description which should make searching for a particular card or ones from the same set easier. If I have made any glaring errors please feel free to let me know.
Thank you and I hope you enjoy my collection as much as I do.
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