Gabrielle Ray – Flying Colours – Daily Mirror – Monday 14th August 1916
Exit “Joy-Land!”
We are seeing the last nights of “Joy – Land!” which is due to finish this week. The Hippodrome will, I hear, remain closed for the rehearsals of “Flying Colours,” the new revue, in which Miss Gabrielle Ray and Little Tich are to play prominent parts.
The Daily Mirror – Monday 14th August 1916
Gabrielle Ray – Flying Colours – The Queen – Saturday 16th September 1916
The First performance of Flying Colours at The Hippodrome, London
Flying Colours – The Graphic – Saturday 23rd September 1916
“BAIRNSFATHERLAND”
IN “Flying Colours” we have a typical Hippodrome revue, with big scenes, an army of pretty girls and many catchy songs, the inimitable Little Tich figuring as the leading comedian. Miss Ray Cox, an American newcomer, gets many a laugh out of a lesson in horsemanship, but the outstanding feature of the entertainment is the “Bairnsfatherland” sketch. Countless experts have agreed that in his pictures in The Bystander Captain Bruce Bairnsfather has expressed trench life to a nicety; but in the dramatised version the whole thing assumes a strange and more gripping reality. We see the trench-dwellers doing their work, joking as if there was no such thing in the world as danger, and singing funny parodies to the accompaniment of German shells, so that, judging by their attitude towards life as they find it, we can sympathise with Bert when he explains that he joined the Army because he was “fed up with the War.” Mr. John Humphries takes the part of the familiar walrus-featured out-since-Mons (aged 800 come next Push, as we are told!) – a splendid performance; in the opinion of Captain Bairnsfather, true to the very life. Nobody, young or old, should miss seeing “Bairnsfatherland,” for it is certainly one of the most realistic things in the whole history of stagecraft.
The Graphic – Saturday 23rd September 1916
Gay Desmond – Flying Colours – The Sketch – Wednesday 13th December 1916
THE QUEEN OF THE MANNEQUINS AS A “TABLE DELICACY”: MISS GAY DESMOND.
The table has almost usurped the place of the chair for the seated figure in photographic fashions of the moment. Here is an example the sitter in this case being pretty Miss Gay Desmond, who is now appearing in “Flying Colours,” at the Hippodrome. In the first scene, in the “Reception Hall, Hotel Pimpernel,” she is a Visitor’s fiancée. Then she takes the part of The Queen of the Mannequins in “The Fashion Parade,” and in both is entirely charming.
The Sketch – Wednesday 13th December 1916
Theatre Costume Design for ‘Flying Colours’ 1916 – A Greek Dancer
First Tableau, Classic Dance, Ancient Greece – Scene 9
Flying Colours – The Sketch – Wednesday 11th October 1916
ECCENTRIC DANCERS IN “FLYING COLOURS,” AT THE LONDON HIPPODROME:
THE PRUCELLA BROTHERS IN THEIR CHAIN DANCE.
As the photograph shows, the dancers are chained together by their feet.
The Sketch – Wednesday 11th October 1916
Gabrielle Ray – Flying Colours – The Daily Mirror – Friday 4th August 1916
The Return of Gabrielle Ray.
Every London playgoer will be looking forward to the return of Miss Gabrielle Ray to the stage. She is going to make her first appearance in revue in the next production at the Hippodrome. I remember very well the first time I saw Miss Ray. She was playing in “The Orchid,” and I remarked to a friend: “That girl will make a big name in musical comedy.” For once, at least, I was right.
The Daily Mirror – Friday 4th August 1916
About
One of my main interests is a love of old pictures and postcards that give us a brief glimpse into a past and often forgotten age.
Collecting old postcard and pictures enables the viewer to glimpse a brief moment from that individual’s life; often far removed from their own either by the passage of time or social class. Social History, often described as “history from below” shows everyday people, their social structure and the interaction of different groups; like the wealthy and politicians these people helped shape and maintain society and so shape history.
Examining the images one can’t help but wonder how the individuals lived, were their lives hard compared with today and were they happy. Often the images come with little or no information that can answer these questions, one can only imagine.
With each image saved and seen by others, so that moment, that person is kept alive, our understanding is increased and so our lives are enriched.
A picture is often more descriptive than words can ever be, but how true is this, if a picture enables us to gain entry to another time, another world, will, like the view from a different window, even in the same house provide a different image?
These images allow a glimpse into another time, another era; but what preceded or followed this image? As the individuals were positioned and posed like an artist’s model is what we see truly reflective or like the slightly softened image of an aging beauty a less that truthful representation?
I am reminded of a documentary I watched several years ago regarding the returning troops from the front during the First World War. The camera images show a broken, demoralised sea of humanity, young men who having seen images that most of us hope never to witness had lost that sparkle; that zest which only youth has. But bring on the news camera and that battered returning group came to life, the smiles returned and even though muddied and bloodied their heads and bodies became erect, their arms swung in time and they demonstrated a swagger that spoke of courage, defiance and determination; an image that gave hope to the viewer.
It seems to me that even in the early days of photography all was not what it appeared and now in the advancing digital age a picture may paint a thousand words but will it be factual or fiction?
My interests And collections vary from Maids, Nuns, religious dress and the more risqué images of the French Maid. Often when searching for a particular subject the boundaries cross and as well as true Maids we find Edwardian actresses dressed as Nuns or Maids. During one of my searches I came across Gabrielle Ray dressed as a Maid, “Susan” in Lady Madcap and was instantly captivated by her.
Collecting the individual cards isn’t enough; I like to know more about the individual, which is easier when that person is an actress, although often the information is scarce
Searching for information about Miss Ray I discovered that she was one of the most photographed women of the Edwardian era and described in “Temps” as the most beautiful woman in the United Kingdom; but sadly her success, if measured by being visibly working or in the public eye was short-lived. She struggled with depression and alcohol abuse, and her health declined. In 1936, she suffered a complete mental breakdown and was institutionalized for nearly forty years; dying in 1973 at Holloway Sanatorium at the age of 90.
There are several other sites and blogs dedicated to the memory of Miss Ray and my intention is to share my small but growing collection of pictures and postcards with anyone who shares my interest. Reading about Miss Ray I was saddened that this lady, like many others before and since, after a brief moment in the sun they are soon forgotten. Hopefully as people view and enjoy this blog her memory will remain alive for a little longer.
I have started to write a short Biography about Miss Ray which I will try to update as frequently as possible. The Index page will show any updates under the Biography catagory.
I have also tried to link the various postcards and pictures to the plays in which Miss Ray appeared, however I realise, after several errors that this isn’t an easy task as many are decorative studio poses rather than production images. The individual Rotary, Philco and other publishers numbers are included with any description which should make searching for a particular card or ones from the same set easier. If I have made any glaring errors please feel free to let me know.
Thank you and I hope you enjoy my collection as much as I do.
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