Gabrielle Ray – Leslie Barker – Liverpool Daily Post Tuesday 13th April 1920
ROYAL HIPPODROME
It is very pleasing that music hall audiences take obvious delight in watching dancing, that is something more than mere heel tapping, that means something more than unspoken banalities of comic song, and one felt grateful to Miss Gabrielle Ray and Mr. Leslie Barker for singing little, and dancing more. Their ballet scene is slight enough, but it is artistry, a happy setting. Some things may be criticised, others need not. Mr. Oswald Williams, for instance, is graduate a magician. There is sack; a woman in it; it suspended in mid-air; drops quickly: no woman. What is to say? Mr. Williams has done it. Mr. G. S. Melvin, a comedian, is clever; he the cleverest artist at the Hippodrome this week. His caricatures are audacious, almost cruel, but they are talented. His songs are not particularly remarkable; his make-up and his mannerisms are everything. If he is very careful not to exaggerate exaggeration, he ought to very well. Also there are Laurie de Vine, Willie, Rouse, Barton and Ashley, and Gus Harris, with the sentiment of whose song about Jews, all will agree.
Liverpool Daily Post – Tuesday 13th April 1920
Gabrielle Ray – Peggy – The Langport and Somerton Herald – Saturday 11th March 1911
OUR LONDON LETTER
It will out take long for “Peggy” to become all the rage. Is certain to be as popular as “Miss Gibbs,” and is an altogether more delightful person than “Havannah.” The new Gaiety musical play, indeed, is exactly what everyone expected it would be – quite all right. The story about Peggy doesn’t matter. It is quite a trivial part of the show. The things that really do matter are the songs and the music, the dances and the fun, the girls and their dresses. These are the elements which make for long runs at the Gaiety, and they are all in the new play. Miss Phyllis Dare as “Peggy” is more delightful than ever, Miss Gabrielle Ray runs her very close as a merry music hall artiste, Miss Olive May as the daughter of a supposed millionaire is winning all hearts. Mr. George Grossmith is splendidly ridiculous as ever as her papa, Mr. Edmund Payne as the hairdresser in a swagger hotel keeps you laughing all the time, and – well, there you are. That is “Peggy.” For the rest, there are crowds of beautiful girl, in ravishing costumes, a waltz as deliciously dreamy as anything that ever came from Vienna, and pretty songs and funny ones by the dozen. “Peggy,” in short, is just thong for the Gaiety, and is certain of quite as long a run as her very successful predecessors.
The Langport and Somerton Herald – Saturday 11th March 1911
About
One of my main interests is a love of old pictures and postcards that give us a brief glimpse into a past and often forgotten age.
Collecting old postcard and pictures enables the viewer to glimpse a brief moment from that individual’s life; often far removed from their own either by the passage of time or social class. Social History, often described as “history from below” shows everyday people, their social structure and the interaction of different groups; like the wealthy and politicians these people helped shape and maintain society and so shape history.
Examining the images one can’t help but wonder how the individuals lived, were their lives hard compared with today and were they happy. Often the images come with little or no information that can answer these questions, one can only imagine.
With each image saved and seen by others, so that moment, that person is kept alive, our understanding is increased and so our lives are enriched.
A picture is often more descriptive than words can ever be, but how true is this, if a picture enables us to gain entry to another time, another world, will, like the view from a different window, even in the same house provide a different image?
These images allow a glimpse into another time, another era; but what preceded or followed this image? As the individuals were positioned and posed like an artist’s model is what we see truly reflective or like the slightly softened image of an aging beauty a less that truthful representation?
I am reminded of a documentary I watched several years ago regarding the returning troops from the front during the First World War. The camera images show a broken, demoralised sea of humanity, young men who having seen images that most of us hope never to witness had lost that sparkle; that zest which only youth has. But bring on the news camera and that battered returning group came to life, the smiles returned and even though muddied and bloodied their heads and bodies became erect, their arms swung in time and they demonstrated a swagger that spoke of courage, defiance and determination; an image that gave hope to the viewer.
It seems to me that even in the early days of photography all was not what it appeared and now in the advancing digital age a picture may paint a thousand words but will it be factual or fiction?
My interests And collections vary from Maids, Nuns, religious dress and the more risqué images of the French Maid. Often when searching for a particular subject the boundaries cross and as well as true Maids we find Edwardian actresses dressed as Nuns or Maids. During one of my searches I came across Gabrielle Ray dressed as a Maid, “Susan” in Lady Madcap and was instantly captivated by her.
Collecting the individual cards isn’t enough; I like to know more about the individual, which is easier when that person is an actress, although often the information is scarce
Searching for information about Miss Ray I discovered that she was one of the most photographed women of the Edwardian era and described in “Temps” as the most beautiful woman in the United Kingdom; but sadly her success, if measured by being visibly working or in the public eye was short-lived. She struggled with depression and alcohol abuse, and her health declined. In 1936, she suffered a complete mental breakdown and was institutionalized for nearly forty years; dying in 1973 at Holloway Sanatorium at the age of 90.
There are several other sites and blogs dedicated to the memory of Miss Ray and my intention is to share my small but growing collection of pictures and postcards with anyone who shares my interest. Reading about Miss Ray I was saddened that this lady, like many others before and since, after a brief moment in the sun they are soon forgotten. Hopefully as people view and enjoy this blog her memory will remain alive for a little longer.
I have started to write a short Biography about Miss Ray which I will try to update as frequently as possible. The Index page will show any updates under the Biography catagory.
I have also tried to link the various postcards and pictures to the plays in which Miss Ray appeared, however I realise, after several errors that this isn’t an easy task as many are decorative studio poses rather than production images. The individual Rotary, Philco and other publishers numbers are included with any description which should make searching for a particular card or ones from the same set easier. If I have made any glaring errors please feel free to let me know.
Thank you and I hope you enjoy my collection as much as I do.
Recent Comments
Top Posts & Pages
-
summertime75
Gabrielle Ray 