Gabrielle Ray

'Gabrielle Ray said, 'I am always dancing; I love it! When I don't dance, I sing. What else is there to do?'

Gabrielle Ray – The Dollar Princess – Daily Record – Monday 3rd January 1910

A COINCIDENCE.

 

A strange coincidence in connection with the visit of the successful musical play, “The Dollar Princess,” now running at the King’s Theatre, Glasgow, is that on Saturday last, January 1, it was the birthday of Mabel Russell and Miss Gabrielle Ray, who are both playing the part of Daisy in Glasgow and London respectively; also it was the birthday of Miss Clara Evelyn, who is playing the title role in Glasgow.

(The information published by the Daily Record was incorrect, Mabel Russell was born on 1st January 1887 and Clara Evelyn was born on 1st January 1881, however Miss Ray was born on 28th April 1883 and not 1st January as published)

Daily Record – Monday 3rd January 1910

June 14, 2021 Posted by | Actress, Gabrielle Ray, Social History, The Dollar Princess, Uncategorized | , , , , , , , , , , | Leave a comment

The Dollar Princess – 1909

 

 

The Dollar Princess is a musical in three acts by A.M. Willner and Fritz Grünbaum , adapted into English by Basil Hood (from the 1907 Die Dollarprinzessin),

with music by Leo Fall and lyrics by Adrian Ross. It opened in London at Daly’s Theatre on 25 September 1909, running for 428 performances.

 British Musical Theatre

I wouldn’t normally buy a musical score but the cover looked amazing and Miss Ray is shown in the cast as Daisy

March 5, 2021 Posted by | Actress, Daly's Theatre, Gabrielle Ray, Lily Elsie, Social History, The Dollar Princess, Uncategorized | , , , , , , , , , , , | Leave a comment

Gabrielle Ray – The Dollar Princess – The Evening News (London) – Monday 27th September 1909

I’m constantly looking through the News Archive for snippets about Miss Ray and the piece below came up, what was interesting was the descriptions of the costumes worn by Lily Elsie, Emmy Wehlen and Miss Ray. Often there aren’t any illustration to accompany the piece but this had two, checking my collection I found two, one of Lily Elsie and one of Miss Ray that correspond with the descriptions, Emmy Wehlen I didn’t have any as she isn’t someone who’s cards I collect. I have added the images below along with the article.

WOMAN’S WORLD

STAGE DRESSES IN THE “DOLLAR PRINCESS.”

BEAUTIFUL GOWNS WORN BY MISS LILY ELSIE AND MISS EMMY WEHLEN.

 

Brilliant schemes of colour allied to the fascinating modes of today may be said to be the leading notes struck by the wonderful display of dress in Mr. George Edwardes’s new production, “The Dollar Princess,” at Daly’s Theatre. As usual, Miss Lily Elsie presents a series of the most lovely stage pictures in her character of the Dollar Princess, and the colours and fashion of her gowns accentuate the alluring charm of her own personality.

A Scheme of White, Blue, and Pink.

White, pale blue and pale pink have always been the three hues chosen as the fitting background of a pink and white skin, blue eves and golden brown hair, and it is noticeable that this charming trio appear in some form in every dress worn by Miss Lily Elsie. In the first act, this popular actress presents the striking silhouette demanded by the mode of the moment, and materialised in a straight tunic of soft white silk, slashed open at either side over it narrow scant underdress, and caught together by broad pocket-like plaques of Wedgwood blue silk embroidered in white.

The Piquant Tennis Dress.

Again the note of blue is struck in the wonderful tennis frock worn in the second act. The laveuse tunic of softest blue silk is turned up in the correct manner over an ethereal underdress of white de mouseeline de soir with entredeux of lace posed above draperies of palest pink chiffon, which give a lovely tint to the muslin. Very piquant is the fashion in which the tunic at the back is formed into a very fascinating sash drapery fringed deeply at the end. A corsage bouquet of pink roses and a most fascinating cabriolet hat of shot-blue satin with narrow velvet strings framing the pretty face and a knot of pink roses nestling at the left side still further carry out this colour scheme of pale-blue and pink.

A Gown of Dazzling Glitter.

Brilliantly scintillating is Miss Lily Elsie’s second gown in the same act, composed as it is of an exquisitely lovely underdress of soft lace, festooned with trails of button pink roses and horizontal bands of pale blue ribbon, worn beneath a glittering fringed stole of diamante chiffon and a long tunic of the like fabric. Draped from both arms and suspended partially from the shoulders is a lovely scarf of pink chiffon fringed with crystal and paste drops. The whole affect is one of dazzling beauty, and successfully conveys the sense and atmosphere of a multi-millionaire princess.

Wedgwood Blue Straw and Blue Roses.

The last act reveals Miss Lily Elsie in a long motor coat of white cloth with roll revers of white silk and a piquant bonnet of Wedgwood blue straw trimmed with a knot of pink roses. The coat is worn above a striking dress, showing the modish cuirass bodice of palest pink mousseline de sole, with a flounce of soft silk and revealing beneath the cuirass a broad band of pale-blue silk, which trims the underdress of chiffon. Again a graceful chiffon scarf of palest pink is knotted round the arms, giving another charming note to this pretty frock.

Pervenche Chiffon Velvet.

Very striking, also, are the gowns worn by Miss Emmy Wehlen. The first dress, of pervenche chiffon velvet, with its sash drapery arranged just below the knees and it’s guimpe of pervenche embroidered lace, is worn with a becoming hat of pervenche satin, trimmed with lovely beige-coloured plumes. In the tennis scene Miss Wehlen first appears in a tunic of pale blue chiffon garlanded with pink roses over a soft blue silk tunic, and a large white feather toque. This is exchanged for a most fascinating evening gown of white silk, with the corsage and panel embroidered in coral and gold, and a most effective touch is given by the striking draperies of black and silver tulle caught in from the shoulders to the arms, and matching the black and silver scarf swathed round the coiffure.

A Picturesque Evening Cloak.

Everyone will admire the picturesquely draped olive green velvet cloak trimmed with gold ornaments worn in the same scene by Miss Wehlen above an exquisitely fitting frock of palest grey-green satin charmeuse with a hint of pink. No will Miss Gabrielle Ray’s coat of pink satin be forgotten, worn above a white chiffon petticoat trimmed with medallion shaped ruches encircling Empire baskets of chiffon roses, and accompanied by the most fascinating Revolution bonnet of gold coloured straw trimmed with a tiny wreath of roses for which a net is substituted afterwards.

The Evening News (London) – Monday 27th September 1909

January 26, 2021 Posted by | Daly's Theatre, Deltiology, Gabrielle Ray, Lily Elsie, Rotary, Social History, The Dollar Princess, The Illustrated Sporting & Dramatic News, Uncategorized | , , , , , , , , , , , , , , | Leave a comment

Gabrielle Ray – The Dollar Princess – The Manchester Evening News – Saturday 18th September 1909

“The Dollar Princess,” which Mr. George Edwardes first tried in Manchester with great success will be produced at Daly’s next Saturday as a successor to “The Merry Widow.”

The company will include Miss Lily Elsie, Miss Gabrielle Ray, Miss Emmy Wehlan, Mr. Joseph Coyne, and Mr. Robert Michaelis

The Manchester Evening News – Saturday 18th September 1909

 

June 19, 2020 Posted by | Actress, Gabrielle Ray, Social History, The Dollar Princess, Uncategorized | , , , , , , , , | Leave a comment

Gabrielle Ray – The Dollar Princess – Bristol Times and Mirror – Monday 26th September 1910

 

There was a great rush for seats at Daly’s Theatre on Saturday night for the first anniversary of “The Dollar Princess.” After her success in “The Merry Widow” it seems difficult for Miss Lily Elsie to score another triumph but she has done so, and the celebration was marked by a souvenir and signed portraits of all the chief artists brine presented to every one in the house. Miss Gabrielle Ray, Miss Elisabeth Firth, Mr. Joseph Coyne, Mr. Michaelis, and Mr. Berry all had an enthusiastic welcome. There are some fresh topical numbers for Mr. Berry, including a hit at Mr. Lloyd George, and the dancers and songs are now recognised favourites, but have kept their freshness all the same. Not the least reason for that is the brilliant was in which this musical comedy is produced with Mr. George Edwardes at his best.

 

Bristol Times and Mirror – Monday 26th September 1910

November 8, 2019 Posted by | Actress, Gabrielle Ray, Social History, The Dollar Princess, Uncategorized | , , , , , , , , , | Leave a comment

The Dollar Princess (Rotary 11569 A)

July 7, 2019 Posted by | Actress, Deltiology, Gabrielle Ray, Rotary, Social History, The Dollar Princess, Uncategorized | , , , , , , , , | Leave a comment

The Dollar Princess – The Bystander – Wednesday 6th October 1909

 

LONDON NIGHTS ENTERTAINMENTS 

 

BY “JINGLE” WITH ILLUSTRATIONS BY NORMAN MORROW

 

“THE DOLLAR PRINCESS” AT DALY’S THEATRE

 

THE subject of money is always a very fascinating one to people like myself, who know no more of it than we read about in books or see in plays. Now and again you meet a man who has some money, or, at least, knows someone who once saw some of it; but these are rare occasions nowadays. Perhaps that is why the atmosphere of The Dollar Princess is so refreshing. Not only do the various scenes suggest wealth in really reckless quantities, but I have read a paragraph in a paper to the effect that the production itself cost no less than ten thousand pounds. I had no idea there was all that money left in the country.

IT is generally admitted that one of the most difficult things in the world is to repeat a success, and Mr. George Edwardes must have had to look about him with a very wary eye when the time came to replace The Merry Widow with an attraction that would be equally successful but, after having seen The Dollar Princess, it seems to me that his eye might have been a trifle warier with advantage. For now that what Mr. Kipling calls the “tumult and the shouting” have faded away, and we have had the leisure to reflect upon what can be done with ten thousand pounds, it really seems to me that Mr. Edwardes ought to have got a little more for his money. I quite understand that the bare suggestion of such a thing is rank heresy to the third power, but with that yearning for truth which is the undoing of all great reformers, I am compelled to say that The Dollar Princess impressed me as being a very ordinary musical comedy, distinguished from the average only by the very high quality of the musical part. In coming to this conclusion 1 feel my position keenly – like the prisoner in the dock. All London has been positively whooping over the success of the thing, and here am I, like a Jonah barking in the wilderness, or whatever it is, obstinately refusing to be guided by the judgment of my betters.

THE idea of the comedy is good – distinctly good. There is a young multi millionaire, whose name sounds like “cucumber” until you find on referring to your programme that it is Harry Q. Conder (Mr. Joseph Coyne), and whose staff of servants is recruited entirely from the ranks of the impoverished British aristocracy. There are a duke and an earl, and there is one young man without a title of any kind, but who claims noble descent because he was called William – after the Conqueror, a little gleam of nonsensical humour which is welcome, not so much for its brilliance as for its rarity. Mr. Conder, having engaged his aristocrats at a high salary, always gets his money’s worth by addressing them by their full titles, whether they are grooms or butlers or chambermaids. This idea, generously developed, should have been sufficient to make a success of the story but it is not insisted on after the first scene or two, and we gradually come to regard the servants surrounding the millionaire and his sister as quite ordinary mortals. It would not matter much if there were any other source of fun in the play; but as this idea seems to have been the motif of the piece, it seemed to me a pity not to insist on it a little more.

I THINK the story is weakened by the fact that the love interest is split, just for all the world as if it were one of those horrid infinitives. Mr. Conder shares his palatial mansion with his sister Alice (Miss Lily Elsie), and we have two leading love stories to follow to their happy conclusion. This is a rather daring novelty to spring upon a public which has always been taught to believe that it has a sort of hereditary claim to see the hero and the heroine of a play marrying each other at the finish. It is true that, for the sake of contrast, Conder conducts his love making with light and buoyant humour, as if, after all, it didn’t matter whether the lady married him or not while Alice takes her love affair with dead seriousness, and positively staggers with excitement at the end of the second act on finding that the young man of her choice declines to admit that her dollars are to be compared to his own advantage of gentle birth. In this part Mr. Robert Michaelis makes what is unquestionably the hit of the production. One of the reasons for the success of Mr. Michaelis is that the play is strongest on its musical side, and as this gentleman not only has a very fine voice, but also possesses the ability to employ it to the greatest advantage, he has had good luck added to his own good management. I think his ideas of humour are at times a little extravagant, but much may be forgiven an artist with so many admirable qualities. His final duet with Miss Elsie as the curtain falls is one of the most pleasing features in the entertainment.

MISS EMMY WEHLEN is a newcomer at Daly’s, but she bids fair to rank as one of the prime favourites at that house. She is called Olga in the piece, and it therefore seems quite superfluous to add that she is a Russian Countess. We should doubt the credentials of a Russian Countess who had not got Olga for at least one of her names. Miss Wehlen has a well-trained voice, and she sings with a delicate humour that adds a considerable charm to her efforts. Mr. W. H. Berry has quite a small part, but he works very hard to wrench a little fun out of it, and in this respect I think he is the most successful of any of the humorists in the piece. His performance came as quite a relief at times when we were, to use a very ordinary term, “fed up” with mere prettiness and severely correct music. Perhaps, as the play settles down, Mr. Berry may have more opportunities of showing his quality; and I think the same benefit might be conferred on Mr. Evelyn Beerbohm, who is a good man practically left idle when there is a really crying demand for the sort of work he knows how to do so well. Another of the successes is Miss Gabrielle Ray, who gives, with Mr. Willie Warde, one of the happiest song-and-dance turns of the evening. It seems a trifle cheap to talk about a little Ray of sunshine, but, after all, the facts must speak for themselves, even if they are guilty of punning when they do it.

JOSEPH COYNE seems to lose a little of his glamour in conventional costume. We have associated him for so long with astrachan and top boots that it is a little difficult to accept him as the pink of West-End fashion. His best turn is a song and dance on the tennis courts with a number of pretty ladies, who oblige with the chorus but doubtless he, too, will feel more at home in his part presently. Miss Lily Elsie is, as ever, quite delightful. She sings and acts with a gentle grace that wins all hearts, my own included, and there is no doubt, to judge by the temper of the audience, that she is still the queen of the ——– excuse me. I had very nearly said “Daly males,” and we really can’t allow that sort of thing in a responsible paper, especially as Miss Elsie seems to be quite as popular with the ladies as with us boys.

WHAT is the matter with the piece? Mr. George Edwardes has clearly spared neither pains nor money in his effort to produce a worthy piece of work. The music and the acting are all that could be desired, except that I could find nothing that promised to be “popular” among the melodies. It almost looks as if the aim had been a little too high, with the result that the whole thing has turned out to be too severely correct. After all, the man in the street still counts for something, but unless he has a highly developed taste in music I do not see where he is catered for in this avowedly popular production. It seems a poor return for the great courtesy shown to me at Daly’s Theatre that I should go out of my way to say unpleasant things about the piece, but the best of us can do no more than speak according to the light that is in him.

Jingle.

 

The Bystander – Wednesday 6th October 1909

 

December 1, 2018 Posted by | Actress, Gabrielle Ray, Lily Elsie, Social History, The Bystander, The Dollar Princess, Uncategorized | , , , , , , , , , , | Leave a comment

Mabel Russell – The Dollar Princess – The Sporting Life – 17th December 1909

April 14, 2017 Posted by | Actress, Gabrielle Ray, Social History, The Dollar Princess, Uncategorized | , , , , , , , , , , | Leave a comment

The Dollar Princess Anniversary – The Illustrated Sporting and Dramatic News – 1st October 1910

The Dollar Princess Anniversary - The Illustrated Sporting and Dramatic News - 1st October 1910

The Dollar Princess – Caricature – 1910

 

December 17, 2016 Posted by | Actress, Gabrielle Ray, Social History, The Dollar Princess, The Illustrated Sporting & Dramatic News, Uncategorized | , , , , , , , , , | Leave a comment

The Dollar Princess Souvenir Programme – 1910

Dublin Daily Express - Monday 26 September 1910

The “Dollar Princess”

There was a great rush for seats at Daly’s Theatre on Saturday night for the first anniversary of the “Dollar Princess.” After her success with the “Merry Widow” it seemed difficult for Miss Lily Elsie to score another triumph, but she has done so, and the celebration was marked by a souvenir of signed portraits of all the chief artists presented to everyone in the house. Miss Gabrielle Ray, Miss Elizabeth Firth, Mr. Joseph Coyne, Mr. Michaels, and Mr. Berry all had an enthusiastic welcome. There are fresh topical numbers for Mr. Berry, including a hit at Mr. Lloyd George, and the dances and songs are now recognised favourites, but have kept their freshness all the same. Not the least reason for that is the brilliant way in which the musical comedy is produced, with Mr. George Edwardes at his best.

Dublin Daily Express – Monday 26 September 1910

London Daily News - Monday 26 September 1910

Form IV. At Daly’s

“The Dollar Princess’s” birthday celebrations passed off at Daly’s Theatre on Saturday night with plenty of enthusiasm and a hearty exchange of greetings between the audience and their old favourites in the piece. The rousing reception accorded to Miss Lily Elsie, Mr. Joseph Coyne, and the other leading members as they made their appearance on the stage somewhat delayed the progress of the performance; but it was a delay which seemed to add to the evening’s fun. No new songs have been introduced into the piece, but Mr. W. H. Berry, the bi-eyed humorist, has added a new verse to his topical song bearing on the supposed difficulties of filling up Form IV. Me. George Edwards celebrated the anniversary performance by giving away beautiful souvenirs.

London Daily News – Monday 26th September 1910

Form 4 – Land

Lloyd George’s budget of 1909 required land owners to complete Form IV identifying their property for the purposes of taxation and some twelve million copies were printed and distributed.

The Dollar Princess Souvenir Programme – 1910

April 14, 2016 Posted by | Actress, Gabrielle Ray, Social History, The Dollar Princess, Uncategorized | , , , , , , , , , | Leave a comment