Gabrielle Ray

'Gabrielle Ray said, 'I am always dancing; I love it! When I don't dance, I sing. What else is there to do?'

The Orchid – The Airdrie & Coatbridge Advertiser – Saturday 31st December 1904

“THE ORCHID”

 

This successful musical play, with which the new Gaiety was opened, is now in its second year, and the second edition which Mr Edwardes has now got in full swing can hardly fail to secure for it a pleasant prolongation of popularity. Among the new numbers mention should be made of an exceedingly pretty song, “On a Summer Afternoon,” given with refreshing piquancy by Miss Gertie Millar; of a charming fishing ballad, “Blanche Marie,” to which every justice is done by Miss Marie Studhohme, and of a capital song “La Promenade Anglaise,” of which not the least attractive feature is the dance which follows and which is executed with the most gracious nonchalance by Miss Gabrielle Ray. A “motor” scene, which eventually resolves itself into a “bathing” medley is a most popular new number, while cheers nightly greet a characteristically Irish ballad, “Kate O’Malley,” allotted to Mr Lionel Mackinder, and winding up with a brisk jig, wherein Miss Olive May greatly distinguishes herself. Special praise must also be accorded to the extremely dainty song, “Sweep,” which now takes the place of the “Pierrot” number in the last scene. In this Miss Gertie Millar wins for herself the unqualified favour of everyone by her amazingly graceful and fascinating method. Mr Edmund Payne, Mr Charles Brown, Mr Harry Grattan, Mr Robert Nainby, Mr James Sullivan, Miss G. Rowlands and Miss Connie Ediss, it is almost needless to add, continue to work with untiring energy for the of the piece, and deservedly meet with enthusiastic receptions nightly.

 

The Airdrie & Coatbridge Advertiser – Saturday 31st December 1904

 

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October 24, 2018 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Orchid, Uncategorized | , , , , , , , , | Leave a comment

This Was The “Gaiety” – Liverpool Echo – Thursday 24th November 1949

 

ECHO BOOKSHELF

 This Was The “Gaiety” Girls And Glamour

 

So the famous Gaiety Theatre, in the Strand, is to be reopened. Shades of stage-door johnnies; supper at Romano’s – now no more – and Rules (behind the Adelphi, where Cochran ran two years with “Bless the Bride” and followed it with the less successful “Tough at the Top,” and which still remains pretty much the same); of champagne drunk from a chorus girl’s slipper – and it did happen; and the glamour girls who smiled, sang or danced their way into jewels, wealth and the peerage. Thus, at what the young reporter would call the psychological moment, comes “Gaiety, Theatre of Enchantment” (W. H. Allen, 20s), by that grand historian of the stage. W. Macqueen Pope, himself a figure in many theatrical enterprises through the years.

John Hollingshead, who founded the Gaiety, may be just a name, but the matinees he started became world-famous, and he made the theatre part of London’s gaiety itself. George Edwardes, who first joined him later took over, fathered the Gaiety Girl, is still remembered as a fabulous figure surrounded by beauties whose curves and smiles decorated millions of picture postcards, and made some men feel far too young. What oldster doesn’t remember Gertie Millar (later a countess), Marie Studholme (my own young dream), Margaret Bannerman, Belle Bilton, Rosie Boote (who became a marchioness), Camille Clifford, Constance Collier, Ada Reeve, Evie Green, Lily Elsie, Ellaline Terriss, Isobel Elsom, Gaby Deslys (said to have “dethroned” a king), Mabel Love, Kate Vaughan, Nellie Farren, Sylvia Storey (another countess), Edna May, Gabrielle Ray, Gladys Cooper, Phyllis and Zena Dare – even schoolboys collected their pictures.

Pope has stories of them all and of the great actors and comedians, the managers, the authors and composers. Stars have their moments now, but their glamour is mostly on celluloid and bobby-soxers and hysterical young women get their clothes torn to get near their favourites (mostly women) when they “appear in flesh.” Compared with these ebullitions the stage-door johnnies were just odd men on a desert island. This is a grand book – 500 pages of stage cavalcade, with 100 pictures (and how queer some of the fashions look).

Liverpool Echo – Thursday 24th November 1949

 

October 7, 2018 Posted by | Actress, Biography, Gabrielle Ray, Social History, The Gaiety Theatre, Uncategorized | , , , , , , , , , | Leave a comment

The Orchid – Pall Mall Gazette – Thursday 1st December 1904

“THE ORCHID” – REVISED VERSION.

 

The best always good enough for most us, but usually because are slow in seeing how the best may improved. The ordinary playgoer would hardly be so bold as to revise a popular comedy like “The Orchid,” for revision of established success is a ticklish task. Last night, however, saw a “re-production” of Mr. Tanner’s musical play, which meant fresh costumes, fresh dialogue in many places, and the insertion of many smart new numbers. For instance, new songs have been given to Miss Gertie Millar, Miss Connie Ediss, Miss Gabrielle Ray, and Miss Marie Studholme, among the ladies; and there were novelties for Mr. Lionel Mackinder, including rattling Irish ditty called “ Kate O’Malley,” followed by the infectious Irish jig from Miss Olive May and the corps all round the stage. One might almost say all round the house, for there were very few members of the audience who could keep their toes still while the thing was on.

One of the songs, and certainly the most topical, “The Beauty and the Barge”; another, for Miss Gertie Millar, is “Don’t Mind the Dark.” “Little Blanche Marie” is the title of Miss Studholme’s new success, and one that sure to find an echo of some sort in the pantomimes. The most daring innovation is a “cart-wheel” at the end of one of Miss Gabrielle Ray’s dances, and one could hardly desire more contrast than is provided the dance, which converts a group of automobiles into seaside loungers in bathing attire. The new version “The Orchid,” as we have said enough to show, should give it a new lease of life and run it well into next year, till its successor is ready.

 

Pall Mall Gazette – Thursday 1st December 1904

September 14, 2018 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Orchid, Uncategorized | , , , , , , , , | Leave a comment

The New Gaiety Theatre – The Scottish Referee – Friday 16th October 1903

The New Gaiety Theatre

The latest date mentioned for Mr George Edwardes to open the new Gaiety is Saturday week. The principals in the New Gaiety’s new play, “The Orchid Hunt,” now include Messrs Payne, George Grossmith, jun., Fred Wright, jun., Harry Grattan, Robert Nainby, Will Bishop, and Lionel Mackinder, and Misses Connie Ediss, Hilda Jacobson, Gertie Millar, Lydia West, Gabrielle Ray, and Ethel Sydney.

 

The Scottish Referee – Friday 16th October 1903

September 12, 2018 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Orchid, Uncategorized | , , , , , , , , | Leave a comment

The Gaiety Theatre – The Sketch – Wednesday 8th July 1903

September 8, 2018 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Sketch, Uncategorized | , , , , , , , , | Leave a comment

Peggy – The Play Pictorial No 104 – Vol XVII

August 31, 2018 Posted by | Actress, Gabrielle Ray, Peggy, Social History, The Play Pictorial, Uncategorized | , , , , , , , , , | Leave a comment

The Orchid – Theatre Programme – 26th October 1904

 

I bought this programme of The Orchid from a seller on ebay, the first cover shows the original with paper from the album which it was kept,

after quite a bit of time and a lot of cotton buds the second is the final and much better result.

August 31, 2018 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Orchid, Theatre Programme, Uncategorized | , , , , , , , , , | Leave a comment

Gabrielle Ray – The Orchid – The Tatler – Wednesday 11th November 1903

A Charming Dancer. –  Miss Gabrielle Ray as Thisbe at the new Gaiety gives promise of qualifying to win a place in the long roll of famous dancers. She has been five years in musical comedy, having made a beginning as Mamie Clancy in The Belle of New York with a company toured by Mr. Ben Greet. Then followed two years in his Casino Girl company as Dolly Twinkle, the part originated it the Shaftesbury by Miss Marie George. Four years previous to her engagement by Mr. Ben Greet Miss Ray had appeared as a child actress in a drama called Proof at the Elephant and Castle, and several pantomime parts in the provinces followed. A year ago she went to the Gaiety to under study Miss Gertie Millar in The Toreador, and from there went to the Apollo, where she has played Miss Letty Lind’s and Miss Ella Snyder’s parts without suffering by comparison. Miss Ray is neither French nor American as is surmised but comes from Lancashire.

The Tatler – Wednesday 11th November 1903

 

December 3, 2017 Posted by | Actress, Gabrielle Ray, Social History, The Casino Girl, The Gaiety Theatre, The Orchid, The Tatler, The Toreador, Uncategorized | , , , , , , , , , , , , , , | Leave a comment

The Orchid – Theatre Advert – 1904

September 30, 2017 Posted by | Actress, Deltiology, Gabrielle Ray, Social History, The Gaiety Theatre, The Orchid, Theatre Adverts, Uncategorized | , , , , , , , , , , | Leave a comment

The Gaiety Theatre – The Illustrated London News – 2nd January 1869

The Gaiety Theatre, Strand.

The successful opening of the new Gaiety Theatre, on Monday week, has been reported in our dramatic chronicle. This theatre, as our London readers know, has been built under the superintendence of Mr. C. J. Phipps, architect, on the site of the Strand Music-Hall and of some adjoining properties, which give it a frontage on the Strand, Exeter-street, Catherine-street, and Wellington-street. The Strand front of the music-hall remains almost as formerly. A few modifications, however, have necessarily been made on the ground story by the formation of the approach to the stalls and boxes of the theatre. The rooms over this entrance and the new building along the Strand and Catherine-street will form a restaurant, entirely distinct from the theatre, but with a corridor of access from every tier of the theatre. The entrance in the Strand leads by a few steps to the level of the stalls, and by a spacious staircase to the balcony or grand tier and the upper boxes. Another entrance, also on this level, is in Exeter-street, on the other side of the stalls, which, though designed specially as a private entrance for the Royal family, is available as an exit-way case of sudden panic, there being a stone staircase from the entrance to the highest floor of the theatre, with communication on every level. There is also a corridor running under the back of the pit, solely for the use of the stalls’ occupants, so as to get from side to side without crossing the audience. The entrances to pit and gallery are in Catherine-street, and the stage entrance is in Wellington-street. The auditorium includes a balcony, the front forming a semicircle of 24ft., opening out by arms of a contrary flexure a width of 43ft. to the proscenium column. Behind this is a tier of private boxes, as at the Adelphi, upper boxes, and a gallery above. The columns supporting the various tiers are carried up to a sufficient height above the gallery, and from the cap spring a series of pointed arches, supporting cornice and coved ceiling. The proscenium pillars are all of stone. The dimensions of the interior are – 54 ft. height from centre of pit to ceiling; 45 ft. depth from curtain to front of upper circle, and 36 ft. from curtain to front of balcony tier; 30 ft. width of proscenium; 41 ft. depth of stage, and 64 ft. width of stage between walls. There is room to seat 2000 persons. The floors of the boxes and corridors are of concrete upon iron joists. The stage has been constructed Mr. G. R. Tasker, clerk of the works. There is depth of some 20 ft. under it for sinking large scenes, and a height above of 50 ft. All the departments of the stage are very complete. There is a convenient green-room, and the dressing-rooms appear to be sufficiently numerous. The coloured decorations have been executed by Mr. George Gordon, who has also painted the act-drop, which a framed view of a palace on the Grand Canal, Venice. A noticeable feature of the decoration is the frieze over the proscenium, painted by Mr. H. S. Marks, 30 ft. long by ft. 6 in. deep. It represents a King and Queen of mediaeval times, with surrounding courtiers, watching mask which is being performed before them. On each side of this frieze, over the proscenium boxes, are lunettes in the arches – the one on the left represents lyric and the other epic poetry -designed by the same artist.

The Illustrated London News – Saturday 2nd January 1869

 

The Theatre of Enchantment

September 9, 2017 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Illustrated London News, Uncategorized | , , , , , , , | Leave a comment