Gabrielle Ray

'Gabrielle Ray said, 'I am always dancing; I love it! When I don't dance, I sing. What else is there to do?'

A Glittering First Night – The Sketch – Monday 1st December 1958

May 16, 2022 Posted by | Uncategorized, Gabrielle Ray, Social History, Actress, The Sketch | , , , , , , , , | Leave a comment

Gabrielle Ray – Peggy – Forest Hill & Sydenham Examiner – Friday 15th December 1911

“PEGGY” AT THE GAIETY THEATRE

 

The revised edition of “Peggy” at the Gaiety Theatre goes with a fine swing, and is now one of the best things of its kind in town. Of course the music plays a most important part, and when it is known that Mr. Leslie Stuart is in his happiest vein, success in this direction is assured. Mr. George Grossmith’s part of Auberon Blow is now taken by Mr. Louis Bradfield, who is admirably suited for the part. Mr. Robert Hall repeats his former successes at the Gaiety as Hon. James Bendoyle M.P, and Mr. Edmund Payne, keeps the house laughing the whole time he is on the stage. Of the ladies in the cast Miss Phyllis Dare is very fascinating and vivacious as Peggy Barrison, and sings with marked ability, while the Dorris Bartle of Miss Olive May, leaves nothing to be desired.

A word must not be omitted for Miss Connie Ediss who is very happily cast as Lady Snoop, and wins much applause for her quaint witticism, and Miss Gabrielle Ray, as Polly Polino scores heavily. Space will not permit to deal with the other parts which are all capitally played, and the scenery and setting are of a most elaborate description and well maintain the reputation of this elegant house of entertainment.

 

Forest Hill & Sydenham Examiner – Friday 15th December 1911

 

April 21, 2022 Posted by | Actress, Gabrielle Ray, Peggy, Social History, The Gaiety Theatre, Uncategorized | , , , , , , , , , | Leave a comment

Gabrielle Ray – Peggy – The Weekly Dispatch (London) – Sunday 26th February 1911

 

New Gaiety Play.

 Next Saturday evening Mr. George Edwardes will reopen the Gaiety Theatre with the new and as yet unnamed musical comedy by George Grossmith jun. and C. H. Bovill, from the French of Leon Xanrof, with music by Leslie Stuart. This play has been eleven works in rehearsal, and has had to undergo many changes before it pleased Mr. Edwardes. He thinks of calling it either “Pretty Peggy” or “Three Girls,” but may take yet another title instead of these before the curtain goes up. I hear from people in the company that Miss Phyllis Dare will make a very greet personal hit, and that Miss Gabrielle Ray will do the same. They both have personality and charm and are very popular. The comedians are the best the Gaiety Theatre has had – Mr Edmund Payne, Mr. Grossmith jnr., and Mr. Robert Hale. The demand for seats for next is enormous, and, as usual, the Gaiety Theatre will have and audience representative and distinguished.

The Weekly Dispatch London – Sunday 26th February 1911

January 12, 2022 Posted by | Actress, Deltiology, Gabrielle Ray, Peggy, Social History, The Gaiety Theatre, Uncategorized | , , , , , , , , , | Leave a comment

Gabrielle Ray – The Orchid – The Graphic – Saturday 31st October 1903

As early as five o’clock in the morning one man took up his stand outside the gallery. At six was joined by others, and, as the morning wore on, the little crowd grew, till by half-past nine it numbered some twenty or thirty. Many messenger boys were engaged to keep the places of those first-nighters who could not spare the time themselves. In the afternoon there was a heavy shower, which did not add to the comfort of the patient crowd. Our photograph was supplied by Bolak

THE OPENING OF THE GAIETY THEATRE: THE CROWD OUTSIDE THE GALLERY DOORS AT 9.80 A.M.

 

SKETCHES THE PRODUCTION OF “THE ORCHID,” AT WHICH THE KING AND QUEEN WERE PRESENT

THE OPENING OF THE NEW GAIETY THEATRE

DRAWN BY A. S. BOYD

“The Orchid”

  BY W. MOY THOMAS

THE task of getting to the GAIETY Theatre through the rattling showers and flooded streets of Monday evening was a little difficult, but in all else the stately and luxurious new playhouse which Mr. George Edwardes has caused to be erected hard by the site of its now vanished predecessor and namesake, may be said to have commenced its career under the happiest auspices. The management, as the reader is aware, stand by the traditions of the house, within whose walls the old-fashioned formless “burlesque” passed, by a regular process of evolution, into the combination of farce and dancing, music and story, which is now known by the not very distinctive description of “musical play.”

Mr. Edwardes has once more invoked the aid of half a dozen practised hands; it is, in fact, the permanent staff – Mr. J. T. Tanner furnishing the book, with the exception of the lyrics, which are supplied by Mr. Adrian Ross and Mr. Percy Greenback, while Mr. Ivan Caryll and Mr. Lionel Monckton have composed the music, and Mr. Paul Rubens has contributed “additional numbers.” Mr. Tanner has on this occasion gone further afield than usual in search of his leading motive. Mr. Tanner has handled the idea of orchid-worship in his own way, subdued it to his humorous purposes, and interwoven it with a double, or rather triple, love story, which is found capable of giving rise to many diverting situations. I do not, of course, propose to follow in any detail the windings of The Orchid, the first act of which passes in this country in the grounds of the Countess of Barwick’s Horticultural College, while the second act carries us away, together with the chief part of the personages of the piece, to the Place Massena and the Grand Opera House at Nice in carnival time – scenes that were received with enthusiastic applause. Both time and space, indeed, would fail to tell, even in outline, why Mr. Aubrey Chesterton, our Minister of Commerce, is bound under the terms of a wager to procure a certain precious orchid and deliver it in Paris by an appointed date or how, with this object in view, he is fain to enlist the services of his scapegrace nephew, the Honorable Guy Scrymgeour; not to speak of Zaccary, a professional orchid hunter, whose, happy hunting-ground is in the fields of far Peru; or how the precious plant – which, by the way, seems to be capable of surviving much ill-usage – falls, on and off, into the hands of Meakin, the quaint little gardener of the Horticultural College. Still less easy would it be to explain how the whirl of events arising from this datum is associated with a clandestine marriage at the local Registrar’s between Scrymgeour and Miss Zaccary, a pupil-teacher at the College, simultaneously with the union, before the same functionary, of Scrymgeour’s impecunious young medical friend Fausset with the sprightly and bewitching Lady Violet Annstruther. Yet another engaged couple appears in the forefront of these erratic proceedings, for little Meakin, in a captivating disguise, has wooed the vulgar, wealthy, good-natured Caroline Twining, and is only waiting for the expected pecuniary fruits of the “orchid hunt” to claim his bride. Such are a few indications of the story, for which the composers have written clever songs and tuneful music.

The piece is supported by the whole strength of the GAIETY company. Miss Gertie Millar has not hitherto been seen to so much advantage as in the part of Lady Violet. Her song, “Please Inquire of Little Mary,” was among the most notable successes of the evening. Mr. Edmund Payne’s Meakin had the merit of improving as the piece developed. His tramp duet with Mr. George Grossmith junior, who played Scrymgeour with much comic force, is among the happiest of the humorous episodes but Mr. Payne’s peculiar vein of drollery found, perhaps, its best expression in the mock duel with the Count de Cassignat, which forcibly recalled the exploits of Mr. Acres in King’s Mead Fields. That great favourite of Gaiety audiences, Miss Connie Ediss, who plays Caroline Twining, is specially fortunate in her songs – notably in her mock sentimental duet, “Life is an Omelette,” with Mr. Payne. Miss Ethel Sydney’s refined singing and dancing in the part of Josephine Zaccary also contribute much to the success of the piece.

The Graphic – Saturday 31st October 1903

September 10, 2020 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Orchid, Uncategorized | , , , , , , , , , | Leave a comment

Gabrielle Ray – The Orchid – The Tatler – Wednesday 11th November 1903

The Grand Finale in “The Orchid” at the New Gaiety Theatre.

 

Our photographer is to be congratulated on the splendid flashlight effect he has secured in the final scene of The Orchid at the Gaiety Theatre. We are here shown the interior of the opera house at Nice, where all the principal actors and actresses engaged in The Orchid come in front of the stage. In the centre will be noticed Miss Gertie Millar and Miss Connie Ediss; next her is Mr. Edmund Payne, then we see to the left Miss Ethel Sydney and Mr. George Grossmith, jun. Flashlight effects of this kind are not yet all one hopes to see them, but this picture is very interesting. It is a pity that one is not able to get an equally good impression of an audience, particularly the audience of a first-night performance

 

The Tatler – Wednesday 11th November 1903

 

The Orchid (Rotary 3191 F) shows other members of the cast named

 

 

August 4, 2020 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Orchid, The Tatler, Uncategorized | , , , , , , , , , | Leave a comment

Gabrielle Ray – Peggy – The Illustrated Sporting and Dramatic News – March 11th 1911

June 29, 2020 Posted by | Actress, Gabrielle Ray, Peggy, Social History, The Illustrated Sporting & Dramatic News, Uncategorized | , , , , , , , , , | Leave a comment

The Gaiety Restaurant – London Evening Standard – Monday 18th October 1869

THE GAIETY RESTAURANT.

 

The Gaiety Theatre is already honourably distinguished among all other play-houses in London for its elegance, and for the pains taken by the lessee to secure the comfort and protect the pockets of the persons who visit it. On and after to-day the house will present a fresh attraction in consequence of the opening of the restaurant that has been added to the theatre. The ample space at the command of the architect has been turned to excellent account, and a series of handsome rooms, running from the Strand into Catherine-street, have been erected. There are very spacious cellars, a large cafe, extensive dining, smoking and billiard rooms, and some smaller apartments, where cosy parties of four or five will doubtless often have dinner before, or supper after, the theatrical performances. The restaurant opens into the theatre, and though it may be too much to suppose that the agreeable French custom of adjourning to coffee during the entr’actes will be generally observed, we expect that not a few sensible and thirsty persons will, in future, prefer to stroll for a quarter of an hour from the theatre to the restaurant for a quiet cigar, instead of remaining in their seats to listen to the hammers of the scene-shifters or the preliminary melodies of the orchestra. Comparisons are often drawn between the enormous crowds that visit the French theatres nightly, and the scanty audiences attracted to the English theatres, though they are smaller in size, fewer in number, and cheaper in price than the Parisian houses. Perhaps English managers would be more prosperous if they could contrive to make a visit to their theatres a little less of a penance. The stoutest playgoer cannot but feel sometimes appalled at the prospect of sitting, from seven o’clock till half-past eleven or twelve, in an uncomfortable chair, in a heated atmosphere, cramped as to his arms and legs, with no sort of refreshment but South African sherry and leathery buns, and no opportunity of relaxation except a walk in the streets. In an age when the humanity of the legislature prohibits even the overcrowding of bullocks and pigs on their way to the slaughter-house, surely some voice might be raised against the callous indifference of so many theatrical managers to the comfort and enjoyment of their patrons. It is because we hail with pleasure any change for the better in these respects that we are glad to give publicity and encouragement to the opening to the Gaiety restaurant.

 

London Evening Standard – Monday 18th October 1869

 

May 18, 2020 Posted by | Actress, Gabrielle Ray, Social History | , , , , , , , , | 1 Comment

The Tatler – Wednesday 11th November 1903

 

Dramatic and Musical Gossip of the Week.

A Charming Dancer. –  Miss Gabrielle Ray as Thisbe at the new Gaiety gives promise of qualifying to win a place in the long roll of famous dancers. She has been five years in musical comedy, having made a beginning as Mamie Clancy in The Belle of New York with a company toured by Mr. Ben Greet. Then followed two years in his Casino Girl company as Dolly Twinkle, the part originated it the Shaftesbury by Miss Marie George. Four years previous to her engagement by Mr. Ben Greet Miss Ray had appeared as a child actress in a drama called Proof at the Elephant and Castle, and several pantomime parts in the provinces followed. A year ago she went to the Gaiety to under study Miss Gertie Millar in The Toreador, and from there went to the Apollo, where she has played Miss Letty Lind’s and Miss Ella Snyder’s parts without suffering by comparison. Miss Ray is neither French nor American as is surmised but comes from Lancashire.

The Tatler – Wednesday 11th November 1903

December 9, 2019 Posted by | Actress, Biography, Gabrielle Ray, Social History, The Belle of New York, The Casino Girl, The Gaiety Theatre, The Orchid, The Tatler, The Toreador, Uncategorized | , , , , , , , , , , , , , , , , , | Leave a comment

The Toreador – The Linkman – Programme – 3rd July 1903

 

August 3, 2019 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Linkman, The Toreador, Theatre Programme, Uncategorized | , , , , , , , , , | Leave a comment

Gabrielle Ray – The Orchid – The Illustrated Sporting and Dramatic News – Saturday 7th November 1903

November 27, 2018 Posted by | Actress, Gabrielle Ray, Social History, The Gaiety Theatre, The Illustrated Sporting & Dramatic News, The Orchid, Uncategorized | , , , , , , , , | Leave a comment