Constance Drever – The Merry Widow – The Tatler – Wednesday 22nd September 1909
MISS CONSTANCE DREVER AND M. DE FREYN
Dancing the celebrated waltz from “La Veuve Joyeuse” at the Apollo Theatre. So successful has the French “Merry Widow” become that it will be played right through the autumn and winter season. Miss Drever has become a great favourite with Parisian audiences.
The Tatler – Wednesday 22nd September 1909
Constance Drever – The Merry Widow – The Illustrated Sporting and Dramatic News – Saturday 29th May 1909
The Dancing Girls.
Miss Constance Drever, the well-known London artist, in the title-role. Mdlle. Therese Cernay, as the Ambassadress.
THE PRODUCTION OF THE “MERRY WIDOW” (“LA VEUVE JOYEUSE”) AT THE APOLLO THEATRE, PARIS.
A French contemporary says that this long-awaited production follows 2,400 representations of the work in Germany and Austria, 3,000 in England, and 3,500 in America.
The Illustrated Sporting and Dramatic News – Saturday 29th May 1909
Constance Drever – Sonia – The Merry Widow (Dover Street Studios 3600 – 4)
Constance Drever, born Annette Constance Scott Drever in Coonoor, Madras, India, 19th September 1879 to 2nd September 1948 in Canada. She took over the role of Natalie, the Merry Widow at Daly’s Theatre in April 1908 then as Sonia in July the same year when Lily Elsie was on holiday. Later she performed the title role in 1909 at the Apollo Theatre, Paris.
Constance Drever – The Merry Widow – The Stage – Thursday 23rd April 1908
BIRMINGHAM
PRINCE OF WALES’S (Lessees, Messers, Rodgers, Limited; General Manager, Mr. J. V. Graham; Acting Manager, Mr . Henry Johnston)
The much heralded “The Merry Widow” makes an appearance this week. Mr. Eric Thorne is quite a persona grata with the most captious of local patrons of musical comedy, and his delightfully eccentric method of humour is happily suited to a nicety in the role of Baron Popoff, while Mr Basil S. Foster is capitally placed as Prince Danilo. Mr. Haigh Jackson is a gallant and melodious Vicomte Camille de Jolidon. Miss Gertrude Lester is a charming exponent of the title role; her beautifully modulated attractive presence and intelligent acting are most advantageously placed. Miss Constance Drever is no less successful as Natalie, while minor parts are in safe hands. The piece is mounted on a lavish scale, and the chorus are a distinctive feature. The famous “Waltz duet” creates quite a furore, notwithstanding the fact that its refrain had, of course, reached us long ago.
The Stage – Thursday 23rd April 1908
Gabrielle Ray – A Salon of Fragrance and Fashion – The London Evening Standard – Monday 27th March 1911
To Help the Middlesex Hospital
(Prince Francis of Teck Memorial Fund.)
DURING THE ALL-BRITISH SHOPPING WEEK
Harrods have opened a “Salon of Fragrance and Fair Women,” where, under the personal patronage of his Serene Highness Prince Alexander of Teck, leading actresses have volunteered to sell during this week the British Eau de Cologne made by the old British House of Luce of Jersey and Southampton. Messrs. Luce have generously supplied their perfumes free for the occasion, so that the entire proceeds may be devoted to the Hospital Fund. The public will have the opportunity of buying British perfume at ordinary prices from the hands of the fairest ladies of the British stage and incidentally of assisting this most deserving fund. Among the ladies who have so kindly given their services are the following:
Miss Maude Allan, Miss Phyllis Dare, Miss Doris Lytton,
Miss Pearl Autrere, Miss Constance Drever, Miss Olive May,
Miss, Audrienne Augarde, Miss Clara Evelyn, Miss Lillah McCarthy,
Miss Phyllis Bedlles, Miss Madge Fabian, Miss Nancy More,
Miss Chrissie Bell, Miss Audrey Ford, Miss Unity More,
Miss Stephanie Bell, Miss Gladys Guy, Miss Gabrielle Ray,
Miss Lilian Braithwaite, Miss Elvira Hardinge, Miss Gertrude Robins,
Miss Beatrice von Brunner, Miss Iris Hoey, Miss Dorothy Selborne,
Miss Nell Carter, Miss Ola Humphrey, Miss Lily Shepheard,
Miss Dolly Castles, Miss Julia James, Miss Blanche Stocker,
Miss Pauline Chase, Miss Frances Kapstowne, Miss Connie Stewart,
Miss Ivy Lilian Close, Miss Ruby Kennedy, Miss Madge Titheradge,
Miss Cicely Courtneidge, Miss Evelyn Lawrie, Miss Rosalie Toiler,
Miss Laura Cowie, Miss Marie Lohr, Miss Jessie Winter.
The London Evening Standard – Monday 27th March 1911
About
One of my main interests is a love of old pictures and postcards that give us a brief glimpse into a past and often forgotten age.
Collecting old postcard and pictures enables the viewer to glimpse a brief moment from that individual’s life; often far removed from their own either by the passage of time or social class. Social History, often described as “history from below” shows everyday people, their social structure and the interaction of different groups; like the wealthy and politicians these people helped shape and maintain society and so shape history.
Examining the images one can’t help but wonder how the individuals lived, were their lives hard compared with today and were they happy. Often the images come with little or no information that can answer these questions, one can only imagine.
With each image saved and seen by others, so that moment, that person is kept alive, our understanding is increased and so our lives are enriched.
A picture is often more descriptive than words can ever be, but how true is this, if a picture enables us to gain entry to another time, another world, will, like the view from a different window, even in the same house provide a different image?
These images allow a glimpse into another time, another era; but what preceded or followed this image? As the individuals were positioned and posed like an artist’s model is what we see truly reflective or like the slightly softened image of an aging beauty a less that truthful representation?
I am reminded of a documentary I watched several years ago regarding the returning troops from the front during the First World War. The camera images show a broken, demoralised sea of humanity, young men who having seen images that most of us hope never to witness had lost that sparkle; that zest which only youth has. But bring on the news camera and that battered returning group came to life, the smiles returned and even though muddied and bloodied their heads and bodies became erect, their arms swung in time and they demonstrated a swagger that spoke of courage, defiance and determination; an image that gave hope to the viewer.
It seems to me that even in the early days of photography all was not what it appeared and now in the advancing digital age a picture may paint a thousand words but will it be factual or fiction?
My interests And collections vary from Maids, Nuns, religious dress and the more risqué images of the French Maid. Often when searching for a particular subject the boundaries cross and as well as true Maids we find Edwardian actresses dressed as Nuns or Maids. During one of my searches I came across Gabrielle Ray dressed as a Maid, “Susan” in Lady Madcap and was instantly captivated by her.
Collecting the individual cards isn’t enough; I like to know more about the individual, which is easier when that person is an actress, although often the information is scarce
Searching for information about Miss Ray I discovered that she was one of the most photographed women of the Edwardian era and described in “Temps” as the most beautiful woman in the United Kingdom; but sadly her success, if measured by being visibly working or in the public eye was short-lived. She struggled with depression and alcohol abuse, and her health declined. In 1936, she suffered a complete mental breakdown and was institutionalized for nearly forty years; dying in 1973 at Holloway Sanatorium at the age of 90.
There are several other sites and blogs dedicated to the memory of Miss Ray and my intention is to share my small but growing collection of pictures and postcards with anyone who shares my interest. Reading about Miss Ray I was saddened that this lady, like many others before and since, after a brief moment in the sun they are soon forgotten. Hopefully as people view and enjoy this blog her memory will remain alive for a little longer.
I have started to write a short Biography about Miss Ray which I will try to update as frequently as possible. The Index page will show any updates under the Biography catagory.
I have also tried to link the various postcards and pictures to the plays in which Miss Ray appeared, however I realise, after several errors that this isn’t an easy task as many are decorative studio poses rather than production images. The individual Rotary, Philco and other publishers numbers are included with any description which should make searching for a particular card or ones from the same set easier. If I have made any glaring errors please feel free to let me know.
Thank you and I hope you enjoy my collection as much as I do.
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