Gabrielle Ray – The Little Harlequin – Betty – 1916
Miss Ray in harlequin costume, featured on the song sheet cover of “The Little Harlequin,” composed by Fred. J. Blackman, with words by Percy Greenbank.
(photo: Foulsham & Banfield, London, 1915; song sheet published by Ascherberg, Hopwood & Crew Ltd., 16 Mortimer Street, London, W., copyright 1916)
Gabrielle Ray – Engagement – The Daily Mirror – Wednesday 10th January 1912
ENGAGEMENT OF MISS GABRIELLE RAY
TO MARRY THE NEPHEW OF A BARONET
The engagement was announced yesterday in Paris of Miss Gabrielle Ray, the musical
comedy actress, who is one of the daintiest dancers on the English stage. Her future
husband is Mr. Eric Loder, a nephew of Sir Edmund Giles Loder, Bart.
The Daily Mirror – Wednesday 10th January 1912
Gabrielle Ray – Robin Hood – Sunday Illustrated – Sunday 11th December 1921
PANTOMIME JOYS FOR THE CHRISTMASTIDE
PROVINCIAL PLAYS.
In the provinces, the Christmas plays are:- “The Gipsy Princess,” at the Court, Liverpool; “Dick Whittington” with Daisy Wood, Bruce Green and George Bass, at the Newcastle Hippodrome; “Cinderella” at the Theatre Royal, Huddersfield, and the Princes, Bradford; “Sindbad the Sailor,” at the Theatre Royal, Edinburgh, and Sheffield. Miss Gabrielle Ray is the star in “Robin Hood” at the King’s Edinburgh; and Will Fyffe is booked for “Robinson Crusoe” at the Glasgow Theatre Royal.
Sunday Illustrated – Sunday 11th December 1921
Gabrielle Ray – See See – The Daily Mirror – Thursday 21st June 1906
“ SEE-SEE.”
Comic Opera in Place of Musical Comedy at the
Prince of Wales’s.
“See-See,” produced at the Prince of Wales’s Theatre last night, is fairly pretty, fairly amusing, fairly interesting, fairly well acted and sung.
A little more variety in the music, a better part for Mr. Huntley Wright, a larger number of smart sayings in Mr. Brookfield’s dialogue, would help it on a great deal. No doubt Mr. Edwardes will supply all these deficiencies without delay. Then the piece will be a capital entertainment.
Miss Denise Orme is a tuneful See-See, and Miss Gabrielle Ray a pretty boy servant.
The Daily Mirror Thursday 21st June 1906
Gabrielle Ray – Divorce – Daily Mirror – Saturday 26th July 1913
MISS GABRIELLE RAY’S ACTION AGAINST HER HUSBAND.
Mrs. Eric Loder, better known as Miss Gabrielle Ray whose suit for restitution of conjugal rights will be heard next week.
Portrait, Mr. Loder. – (Rita Martin.)
The Daily Mirror – Saturday 26th July 1913
Gabrielle Ray – The Lancashire Daily Post – Tuesday 27th July 1920
PRESTON AMUSEMENTS.
EMPIRE THEATRE,– Theatregoers everywhere were delighted when, some time ago, Miss Gabrielle Ray, one the most photographed actresses of her day, decided to return to the footlights. Prestonians readily recall this musical comedy queen’s past successes, but this week they have an opportunity of seeing her in a new role. Miss Ray has bridged the gulf between play and vaudeville – if it can be said to have been crossed – in an unusual manner, as her dancing and vocal scenes, in which she is assisted by Mr. Leslie Barker, himself a delightful exponent of the terpsichore, could easily be made to “fit in” almost any modem musical comedy or light opera. Beautifully put on, each contribution provides Miss Ray with excellent opportunities of revealing the stately grace and winsomeness of manner as well as the vocal merit which made her famous on the other stage. Also figuring prominently in the bill is Vasco, whose right to the description as the world’s greatest instrumentalist seems to be justified in a numerical sense least. His eccentricities as a musician are given full play in the literal sense, though, as he employs over a score instruments – and plays all of them well. Jay Whidden, the well-known violinist, plays all manner of entertaining tunes, and sings well. Kiddy Kennedy, one of the cleverest girl juvenile songsters ever seen in Preston, possesses a distinctiveness of style that many a grown-up could not equal, and her enunciation is uncommonly good. Bert Terrell’s well-known Dutch humour in song and story, the clever comedy speciality of Iizuka and partner, and Ray Wallace’s well-varied songs the piano make up pleasing show.
The Lancashire Daily Post – Tuesday 27th July 1920
About
One of my main interests is a love of old pictures and postcards that give us a brief glimpse into a past and often forgotten age.
Collecting old postcard and pictures enables the viewer to glimpse a brief moment from that individual’s life; often far removed from their own either by the passage of time or social class. Social History, often described as “history from below” shows everyday people, their social structure and the interaction of different groups; like the wealthy and politicians these people helped shape and maintain society and so shape history.
Examining the images one can’t help but wonder how the individuals lived, were their lives hard compared with today and were they happy. Often the images come with little or no information that can answer these questions, one can only imagine.
With each image saved and seen by others, so that moment, that person is kept alive, our understanding is increased and so our lives are enriched.
A picture is often more descriptive than words can ever be, but how true is this, if a picture enables us to gain entry to another time, another world, will, like the view from a different window, even in the same house provide a different image?
These images allow a glimpse into another time, another era; but what preceded or followed this image? As the individuals were positioned and posed like an artist’s model is what we see truly reflective or like the slightly softened image of an aging beauty a less that truthful representation?
I am reminded of a documentary I watched several years ago regarding the returning troops from the front during the First World War. The camera images show a broken, demoralised sea of humanity, young men who having seen images that most of us hope never to witness had lost that sparkle; that zest which only youth has. But bring on the news camera and that battered returning group came to life, the smiles returned and even though muddied and bloodied their heads and bodies became erect, their arms swung in time and they demonstrated a swagger that spoke of courage, defiance and determination; an image that gave hope to the viewer.
It seems to me that even in the early days of photography all was not what it appeared and now in the advancing digital age a picture may paint a thousand words but will it be factual or fiction?
My interests And collections vary from Maids, Nuns, religious dress and the more risqué images of the French Maid. Often when searching for a particular subject the boundaries cross and as well as true Maids we find Edwardian actresses dressed as Nuns or Maids. During one of my searches I came across Gabrielle Ray dressed as a Maid, “Susan” in Lady Madcap and was instantly captivated by her.
Collecting the individual cards isn’t enough; I like to know more about the individual, which is easier when that person is an actress, although often the information is scarce
Searching for information about Miss Ray I discovered that she was one of the most photographed women of the Edwardian era and described in “Temps” as the most beautiful woman in the United Kingdom; but sadly her success, if measured by being visibly working or in the public eye was short-lived. She struggled with depression and alcohol abuse, and her health declined. In 1936, she suffered a complete mental breakdown and was institutionalized for nearly forty years; dying in 1973 at Holloway Sanatorium at the age of 90.
There are several other sites and blogs dedicated to the memory of Miss Ray and my intention is to share my small but growing collection of pictures and postcards with anyone who shares my interest. Reading about Miss Ray I was saddened that this lady, like many others before and since, after a brief moment in the sun they are soon forgotten. Hopefully as people view and enjoy this blog her memory will remain alive for a little longer.
I have started to write a short Biography about Miss Ray which I will try to update as frequently as possible. The Index page will show any updates under the Biography catagory.
I have also tried to link the various postcards and pictures to the plays in which Miss Ray appeared, however I realise, after several errors that this isn’t an easy task as many are decorative studio poses rather than production images. The individual Rotary, Philco and other publishers numbers are included with any description which should make searching for a particular card or ones from the same set easier. If I have made any glaring errors please feel free to let me know.
Thank you and I hope you enjoy my collection as much as I do.
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