Gabrielle Ray – Illustrated London News – Christmas 1909
Illustrated London News – Christmas 1909 -This Frank Haviland cover shows a portrait of a girl in an oval frame in blue with a coral necklace against a background of burgundy and is of Miss Ray as she appeared as “Frou Frou” in “The Merry Widow” at Daly’s Theatre, Leicester Square, London.
The Little Cherub – Sydney Sportsman (Surry Hills, NSW) – 1906
Theatrical Tit Bits
In “The Little Cherub,” four daughters of “Lord Sanctobury,” a sanctimonious old humbug, played by Fred Kaye, tell of the fun they would have if only they had been boys. They take a melon from the table and play football with it. Their “passing” is quick enough to make the “All Blacks” tremble, while the final goal kicked by Miss Ray is electrifying.
Just the very daintiest moving picture in the world is Miss Ray as a pink Cupid shooting at little soldiers and sailors and belted earls strung in a row on an arch or roses, while tiny winged Lovers her through tiny glasses. Then she dances, and “O she dances such a way,” driving her team of amorini before her with a rope of roses, that the house thunders an encore at her. Chunk of enthusiasm from London “Sporting Times” notice of “The Little Cherub” – George Edwards’ latest production. “The Little Cherub,” at The Prince of Wales,’ is the most amusing musical play running in London. Our old friend Maurice Farkoa plays an amorous Rajah, and sings like a coffee-coloured archangel.
Sydney Sportsman (Surry Hills, NSW) – Wednesday 28 February 1906
Back to Stage
Back to Stage.
Gabrielle Ray, Tired of Married Life, Returns to Footlights.
LONDON, June 11 – Special
Gabrielle Ray, idol of the stage-door Jonnies and reigning beauty of the British stage before she retired from the footlights to marry into a wealthy English family has grown tired of married life. Being just plain Mrs. Eric Loder doesn’t set well with her artistic temperament, and she has gone into the divorce courts to have her marital bonds unloosed.
It was not so long ago that Gabrielle Ray brought consternation and then happiness to young Loder first by keeping the bridegroom, the clergyman and the whole family waiting at the church in vain for her on the day set for the wedding, then by marrying him 24 hours later after he had given up hope. Since then the path of the young pair has not been smooth although young Loder is worth a cool $10,000,000 and has a big income. She has been yearning for the footlights again, for the applause and for the adulation that was hers before she tasted of married life.
As soon as she has secured her divorce Gabrielle Ray will return to the footlights again and once more lead in her train all the idle, gilded and noble youth of the United Kingdom.
The Bisbee Daily Review – 12th June 1913
Gabrielle Ray – The London Palladium – 1920
A poster for the London Palladium, advertising the bill for the week beginning Monday, 16 August 1920, with Gabrielle Ray assisted by Leslie Barker, Pattman and his Organ, Percy Honri, Johnson Clark, Lois Barker and Percy Tarling, Bert Levy, Maggie Clifton and partner, The Mandos, May Henderson, Mr Hymack and the Terry Twins.
http://footlightnotes.wordpress.com/2014/10/03/a-poster-for-the-london-palladium-advertising-the/
Gabrielle Ray – The Merry Widow
I am very pleased to have found this picture, usually my finds are either postcards or if I’m lucky programmes from the plays in which she performed but this is a photograph (5.5 x 9 inches) a little battered but a welcome addition to my collection.
Betty – The Observer – Sunday 31st October 1915
‘The reappearance on the musical comedy stage of Miss Gabrielle Ray was naturally the signal for a good deal of enthusiasm, which even the fog and filthy air could not sully, on Friday night. In the particular sort of dancing which she professes there is no one at present quite like Miss Ray for grace and breadth of movement. She has a completeness and security in her style which make her presence a valuable asset. And now that she has taken up the part of Estelle her coming is not the least important of the constant changes which keep ”Betty” fresh and alluring.’
The Observer, London, Sunday, 31st October 1915, p. 11d
About
One of my main interests is a love of old pictures and postcards that give us a brief glimpse into a past and often forgotten age.
Collecting old postcard and pictures enables the viewer to glimpse a brief moment from that individual’s life; often far removed from their own either by the passage of time or social class. Social History, often described as “history from below” shows everyday people, their social structure and the interaction of different groups; like the wealthy and politicians these people helped shape and maintain society and so shape history.
Examining the images one can’t help but wonder how the individuals lived, were their lives hard compared with today and were they happy. Often the images come with little or no information that can answer these questions, one can only imagine.
With each image saved and seen by others, so that moment, that person is kept alive, our understanding is increased and so our lives are enriched.
A picture is often more descriptive than words can ever be, but how true is this, if a picture enables us to gain entry to another time, another world, will, like the view from a different window, even in the same house provide a different image?
These images allow a glimpse into another time, another era; but what preceded or followed this image? As the individuals were positioned and posed like an artist’s model is what we see truly reflective or like the slightly softened image of an aging beauty a less that truthful representation?
I am reminded of a documentary I watched several years ago regarding the returning troops from the front during the First World War. The camera images show a broken, demoralised sea of humanity, young men who having seen images that most of us hope never to witness had lost that sparkle; that zest which only youth has. But bring on the news camera and that battered returning group came to life, the smiles returned and even though muddied and bloodied their heads and bodies became erect, their arms swung in time and they demonstrated a swagger that spoke of courage, defiance and determination; an image that gave hope to the viewer.
It seems to me that even in the early days of photography all was not what it appeared and now in the advancing digital age a picture may paint a thousand words but will it be factual or fiction?
My interests And collections vary from Maids, Nuns, religious dress and the more risqué images of the French Maid. Often when searching for a particular subject the boundaries cross and as well as true Maids we find Edwardian actresses dressed as Nuns or Maids. During one of my searches I came across Gabrielle Ray dressed as a Maid, “Susan” in Lady Madcap and was instantly captivated by her.
Collecting the individual cards isn’t enough; I like to know more about the individual, which is easier when that person is an actress, although often the information is scarce
Searching for information about Miss Ray I discovered that she was one of the most photographed women of the Edwardian era and described in “Temps” as the most beautiful woman in the United Kingdom; but sadly her success, if measured by being visibly working or in the public eye was short-lived. She struggled with depression and alcohol abuse, and her health declined. In 1936, she suffered a complete mental breakdown and was institutionalized for nearly forty years; dying in 1973 at Holloway Sanatorium at the age of 90.
There are several other sites and blogs dedicated to the memory of Miss Ray and my intention is to share my small but growing collection of pictures and postcards with anyone who shares my interest. Reading about Miss Ray I was saddened that this lady, like many others before and since, after a brief moment in the sun they are soon forgotten. Hopefully as people view and enjoy this blog her memory will remain alive for a little longer.
I have started to write a short Biography about Miss Ray which I will try to update as frequently as possible. The Index page will show any updates under the Biography catagory.
I have also tried to link the various postcards and pictures to the plays in which Miss Ray appeared, however I realise, after several errors that this isn’t an easy task as many are decorative studio poses rather than production images. The individual Rotary, Philco and other publishers numbers are included with any description which should make searching for a particular card or ones from the same set easier. If I have made any glaring errors please feel free to let me know.
Thank you and I hope you enjoy my collection as much as I do.
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